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Fourteen Lines, Three Turns: The English Sonnet

Fourteen Lines, Three Turns: The English Sonnet

The English sonnet spreads its argument over three quatrains and then closes with a couplet that is allowed to be an epigram. That last pair is the whole difference from the Italian form: it does not resolve, it concludes.

Form
Sonnet
Lines
14
Metre
iambic pentameter, rhyme ABAB CDCD EFEF GG, three quatrains plus a couplet
Date

Specimen: an original English sonnet in ABAB CDCD EFEF GG

The crane lifts what the river could not hold, a bucket of grey water and a stone; the men who built this wall are grey and old and stand the way a wall stands, on its own.
A man in a grey jacket lifts a hand and holds it up until the bucket stops; he taps his chest, he taps the wet grey sand and someone up above lets go the drops.
The river keeps on going underneath, the way it did before the wall was drawn, and finds the gap between the blocks, and teeth of water work at mortar until dawn.
The wall is not a wall. It is a truce the river signs each spring and then breaks loose.

Three quatrains, three moves

ABAB CDCD EFEF lets the rhyme start over twice. Each quatrain therefore feels like a fresh attempt at the same problem, and the reader is carried forward by the restart rather than by a single unbroken chain. That is the English sonnet's engine: repetition with variation, three times.

The practical effect on drafting is that you can write the quatrains out of order. If the third quatrain is the strongest, move it and rewrite the second to lead into it. In the Italian form this is much harder, because the octave is one unit and cannot be reordered without breaking its rhyme lock.

The couplet is an epigram, not a summary

GG is the only rhyme pair in the poem that sits side by side with nothing between it. That adjacency makes it sound like a verdict. If the couplet merely restates what the three quatrains already said, the poem ends twice and the second ending is dead weight.

The specimen's couplet does something narrower: it renames the wall. Nothing new happens; the same object gets a different category. That is the standard the form sets. Aim for a renaming, a reversal, or a sting — not a recap.

What changes when you switch from Italian to English

In English, rhyme sounds are scarce. There are roughly a dozen usable full rhymes for a word like stream, and most of them are tired. This is why the English sonnet uses four rhyme pairs and more end-stopped lines: the form adapted to the language's poverty.

The cost is that the English form has no fixed volta. The turn can arrive at line 9, line 13, or nowhere at all. To keep the poem from sagging, decide the turn's position before you write and mark it in the margin of your draft.

Terms used in this entry
quatrain四行组
A four-line stanza. The English sonnet is three of them plus a couplet.
couplet对句
Two consecutive rhyming lines, usually the same length, closing with a full stop.
end-stopped line行末停顿
A line whose syntax finishes at the line break, with punctuation doing the work.
epigram警句
A short, pointed statement that closes a thought instead of continuing it.
feminine rhyme阴韵
A rhyme on a stressed syllable followed by an unstressed one, e.g. river / shiver.